Montage Acoustics BT4480

Montage Acoustics reviews: AM radio technology
AM radio technology is simpler than frequency modulated (FM) radio, Digital Audio Broadcasting (DAB), satellite radio or HD (digital) radio. An AM receiver detects amplitude variations in the radio waves at a particular frequency. It then amplifies changes in the signal voltage to drive a loudspeaker or earphones. The earliest crystal radio receivers used a crystal diode detector with no amplification, and required no power source other than the radio signal itself.

In North American broadcasting practice, transmitter power input to the antenna for commercial AM stations ranges from about 250 to 50,000 watts. Experimental licenses were issued for up to 500,000 watts radiated power, for stations intended for wide-area communication during disasters. One such superstation was Cincinnati station WLW, which used such power on occasion before World War II. WLW's superpower transmitter still exists at the station's suburban transmitter site, but it was decommissioned in the early 1940s and no current commercial broadcaster in the U.S. or Canada is authorized for such power levels. Some other countries do authorize higher power operation (for example the Mexican station XERF formerly operated at 250,000 watts). Antenna design must consider the coverage desired and stations may be required, based on the terms of their license, to directionalize their transmitted signal to avoid interfering with other stations operating on the same frequency.

Broadcast bands
Throughout the world, the FM broadcast band falls within the VHF part of the radio spectrum. Usually 87.5 to 108.0 MHz is used, or some portion thereof, with few exceptions:

In the former Soviet republics, and some former Eastern Bloc countries, the older 65–74 MHz band is also used. Assigned frequencies are at intervals of 30 kHz. This band, sometimes referred to as the OIRT band, is slowly being phased out in many countries. In those countries the 87.5–108.0 MHz band is referred to as the CCIR band.
In Japan, the band 76–90 MHz is used.Montage Acoustics HD9001

Montage acoustic HDQ 4101 A: Microbroadcasting - United States
Some microbroadcasters and pirate radio broadcasters, especially those in the United States under the FCC's Part 15 rules, broadcast on AM to achieve greater range than is possible on the FM band. On mediumwave (AM), such radio stations are often found between 1610 kHz and 1710 kHz. Hobbyists also use low-power AM (LPAM) transmitters to provide programming for vintage radio equipment in areas where AM programming is not widely available or does not carry programming the listener desires; in such cases the transmitter, which is designed to cover only the immediate property and perhaps nearby areas, is connected to a computer, and FM radio or an MP3 player. Microbroadcasting and pirate radio have been almost completely replaced by streaming audio on the Internet, but some schools or hobbyists still use LPAM as a means of broadcasting.

Montage Acoustics BT4480


Subsidiary communications authorization
In the United States, services (other than stereo, quad and RDS) using subcarriers are sometimes referred to as subsidiary communications authorization (SCA) services. Uses for such subcarriers include book/newspaper reading services for blind listeners, private data transmission services (for example sending stock market information to stockbrokers or stolen credit card number blacklists to stores) subscription commercial-free background music services for shops, paging ("beeper") services and providing a program feed for AM transmitters of AM/FM stations. SCA subcarriers are typically 67 kHz and 92 kHz. Montage Acoustics

Montage Acoustics Speakers:The amount of pre-emphasis and de-emphasis used
The amount of pre-emphasis and de-emphasis used is defined by the time constant of a simple RC filter circuit. In most of the world a 50 µs time constant is used. In the Americas and South Korea, 75 µs is used. This applies to both mono and stereo transmissions. For stereo, pre-emphasis is applied to the left and right channels before multiplexing.